Showing posts with label His Cavalry Lady. Show all posts
Showing posts with label His Cavalry Lady. Show all posts

Saturday, February 14, 2015

Costume Up Close and Personal

I was lucky enough to be invited to the preview of Hereford Museum's new Exhibition: Shades of White: the changing shape of women. I brought back a vast number of pictures and I'm indulging myself a bit here.  Be warned.  This post will be long!

Nancy Hills, Head of Theatre Costume Design, Caine College, Utah State University has led the project which recreates real costumes from the Hereford and Berrington Hall collections (with the assistance of their costume curator, Althea Mackenzie) All the replicas are in shades of white so that the intricacies of cut and construction can be seen; the workmanship is fantastic.  What's more, visitors can be up close and personal with the replica costumes. It's like being in a sweet shop. Wonderful.

1750 riding habit

The costumes in the exhibition range from 1750 to World War II but there's more than enough early ones to suit fans of Georgian and Regency historicals. There's a replica of this 1750 pink riding habit, for example.

1780 polonaise front
1780 polonaise back
I loved the 1780 polonaise, partly because I used a similar gown for my heroine to wear at the masked ball in His Cavalry Lady and I based it on the very same gown that is now shown as a white replica in this exhibition.

The polonaise is so clever. The elegant ruching is achieved by simple ties underneath and the height can be adjusted to suit the occasion.

1780 caraco replica worn by model

The caraco is a fascinating gown, Lots of gathering in ways that can be altered easily, such as when the wearer is pregnant. You can see some of the detail on the close-up of the back, below. Then just look at the complexity of the pattern cutting. And all to be sewn by hand, as well.

1780 caraco replica, back

1780 caraco pattern pieces
1815 replica


The Regency gowns are much simpler, as we know. On the left is the replica, in white, of a simple gown made of border-print cotton, dating from 1815. When you see it in plain white, there really isn't much to it at all. And the pattern, by contrast with the caraco, looks pretty straightforward.


On the right is a picture of the original, border print cotton of the gown. It must have been a challenge to determine how much cloth to buy. Easy to work out how wide the bottom hem was, but how much do you allow for bodice and sleeves?

Still, the pattern was simple, as you can see below.

1815 border print dress pattern


Things got more complicated later, of course.  While not strictly Regency, I'm including a gown from 1825.  It's a day dress made from cotton gauze and with beautifully ornate sleeves.  When you're up close with the replica, it's easy to see just how much work went into fashioning something like this. And then you look at the picture of the original and see how stunning it was (and is).

1825 day dress replica, sleeve detail

1825 day dress original

Finally, and absolutely not our period at all, I couldn't resist including a few pictures to show the military influences on costume that continued throughout the century.  The last one reminds me very much of the dress uniform worn by the Russian cavalry officers in His Cavalry Lady, complete with fur-edged pelisse over left shoulder. So, even though it's almost a century too late, I have to include it.

1850 day dress replica, military detail

1860 cream silk original with purple military detail


1898 wool and fur suit replica, military detail

Do visit this exhibition if you have a chance.  It's fantastic!  Details below.

 Shades of White: the changing shape of women opens on Valentine's Day and runs until 25 April,  Opening hours 11.00 -- 16.00, Wednesday to Saturday.  Admission Free!

Monday, February 15, 2010

A Valentine's Day Taster


Yesterday, as we all know, was Valentine's Day. It was also the publication date of the RNA's 50th Anniversary Anthology of short stories, Loves Me, Loves Me Not. Actually, it was already in the shops. I saw it there last week and was delighted to see how stunning that cover looked.

My story in the anthology is called The Trophy Hunter's Prize. Like my novel, His Cavalry Lady, this story is set in London in the summer of 1814 when the capital was full of visiting royals, celebrating their final victory over Napoleon (they thought!). The Russian Tsar, Alexander I, got most of the attention, since he was young and virile and attractive. He could dance all night, and frequently did. But, as well as the Tsar, there was the King of Prussia, and various other princes, dukes and generals. Londoners, high and low, went wild with celebrity spotting. The crowds around their hotels and carriages were vast, as people vied with each other to catch a glimpse.

My hero, Andrew, has just returned from India. He's made his fortune and is looking for a wife in what he expects to be the ordered, London scene. What he finds is rather different, as you'll see from the start of my story...


June 1814
After the searing brilliance of India, London seemed subdued, like a water-colour by a novice artist who had mixed his paints too thin. Andrew Mortimer shivered a little, in spite of the summer sunshine.

He straightened his elegant new coat and continued to stride down Piccadilly towards the park, where there should be open space, and fresher air to breathe. Before long, however, the dense crowds slowed him almost to a standstill. Yet they seemed good-humoured. With a nod here and a word of excuse there, he might make his way through.

‘’Ere! Wot d’you think y’re doing?’ cried a large florid woman when he tried to edge past her. She looked him up and down, noting the expensive clothes and the unusually brown skin. ‘Furriners,’ she muttered darkly. ‘Never did ’ave no manners.’

Still, she had made a little space for him to pass. Andrew managed to reach up to touch his hat and said, in his most affected English drawl, ‘Why, thank you, ma’am. Most kind.’ The woman’s jaw dropped. Very satisfying.

He had gone only a few yards further when he was forced to stop altogether. The huge crowd seemed to draw breath, as one, then it let out an ear-splitting roar and surged forward towards the Pulteney Hotel, carrying Andrew with it. He had to put all his efforts into keeping his balance. When he was at last able to look about him, he saw that the Tsar of Russia had appeared on the hotel balcony above them, which was clearly the reason for the lusty cheering. And, not three yards from where Andrew stood, a small figure in a pale dress was being trampled in the crush.

He yelled a warning. No one seemed to hear. If she was to be rescued, he would have to do it himself. He flung himself at the men who barred his path. He shouted at them. No reaction. There was just too much noise. As he pushed and pushed, his mouth came close enough to yell into one man’s ear. The man moved a fraction.

Andrew forced his body through the tiny gap. He could almost touch her now. Just a yard or so more. Her muslin skirt was spread across the filthy roadway. How was it that these men did not realise the harm they were doing?

They were all gazing up at the Tsar, their arms raised, their mouths open to bellow their delighted approval of the hero who had defeated the tyrant Bonaparte. The London mob had made its choice of the young and virile Emperor of Russia over their own fat, frivolous Regent.

Andrew was close enough now to see her. She was dirty, young, and frightened. She seemed to be screaming for help. But he could hear nothing. With a huge effort, Andrew shouldered aside two men who were in danger of treading on the girl. He reached down, grabbed the little figure by the arms, and heaved.

Nothing. He redoubled his efforts and heaved again.

It was like pulling a difficult cork. One moment her body was stuck fast. The next it had popped out and Andrew was toppling backwards with her. But he did not fall. The wall of people held him upright.

In his arms, the girl was still screaming and now, with her head against his shoulder, he could hear it very well. It hurt. He used his chin to nudge aside her broken straw bonnet and put his lips against her ear. ‘Pray hush. You are safe now, I promise you.’

She uttered one final, piercing scream. Then putting her mouth against his ear, she cried, ‘Safe? You are like to ruin me, you numbskull. Look at my gown.’

He looked down. Her skirt still lay spread on the ground in a drift of filthy muslin pinioned by enormous boots. Like pressed flower petals edged with footprints. The lady in his arms was dressed in little more than a shift, and torn stockings.


Of course, if you want to know what happened next, you'll have to get hold of a copy of the anthology. I promise you the collection is worth it. There is something there for every kind of reader -- contemporaries, historicals, even a vampire story!

I hope you all had a wonderfully romantic Valentine's Day. I did! But I'm not saying a word about what went on....


Joanna

Wednesday, April 15, 2009

Russian Marriage


Last week, I was guest blogging on Risky Regencies about the research I’d done for the Aikenhead Honours trilogy, and especially for the first book, inspired by the real-life adventures of Nadezdha Durova, the cavalry maiden. Here she is:
If you’ve read His Cavalry Lady, you’ll know that it contains a Russian wedding. Sadly, it just wasn’t possible to describe it in detail, but here’s a description from the journals of the Wilmot sisters, dating from 1803-1808.

First, the wedding of nobles:

“In the morning I went accompanied by Princess Anne Simonovna and the 2 Mlles Kotchetoffs to see General Loptoff’s wedding with the Princess Gallitzen, as I had never seen a noble’s wedding in Russia. We went to the church at 12 o’clock and soon after arrived the Bridegroom in full dress. The Bride followed half an hour later, dressed in Lace, satin, a bandeau of diamonds, and diamond earrings. Their rings were exchanged three times; they sipped three times the wine, emblematic of sharing equally the joys or sorrows of life, they wore the Nuptial Crowns, and were led three times round the altar. The Priest then read a sort of exhortation or sermon, and that’s all. The bride was not veiled as peasants are, nor is a noble’s wedding so interesting as a peasant’s. There was a good number of persons in church. After having congratulated the bridals we returned home. By the bye General Loptoff quitted the Church before his lady.”
[The picture shows the cathedral of St Nicholas]


Then the arranged wedding of peasants (though not, as you’ll see, poor peasants):

“The first interview between a young man and woman destined for each other by their parents … always takes place during the dead of the night that no creature except the two families immediately concerned may know anything of the matter, as if it happened that the man refused on seeing her to marry the woman chosen for him, no other would marry her during her life. This however rarely happens as the fathers are very arbitrary. As for the young women they are disposed of without a question on the subject and being kept close prisoners literally till they are married. 'Tis no great wonder if they accept anything that’s offered having nothing better to compare and give a preference to; besides their marriage releases them from a confinement which they grumble against most bitterly. This first interview fixes the fate of the young woman looked at, as they call it, but the supposed first interview in presence of all the relations on both sides takes place some days after, during which time the father of the bride-elect sends a list of what gowns, petticoats, pearls, diamonds, linen, plate etc he intends to give with his daughter to the bridegroom-elect, who frequently expostulates on the scantiness or bad taste of the goods, naming what pleases him better. When the assembly of relatives takes place and the matchmaker, the young man begs this most essential personage to ask for such a young woman by name in a profound whisper; she does so; he is then permitted to touch her hand. From that moment they are considered man and wife. The arrangements for the ceremony are public and all’s said. There is no difference in the religion of this class of persons from that of the noblesse.”

Jewels, especially diamonds, figure a lot in accounts of noble life and dress, and not only at weddings. This is the jewel I had in mind in His Cavalry Lady when I was describing Alex’s visit to the Hermitage in St Petersburg (shown at the top of this post).

Alex thinks it’s hideous. What do you think?



However, since it's April and the second book of the Aikenhead Honours trilogy is out in the USA and Canada, I should probably be blogging here about His Reluctant Mistress and Vienna, plus all the amazing celebrations that took place during the months of the Congress of Vienna.

Reading a diary of the event kept by a local bureaucrat was very interesting. In the first weeks, he recorded absolutely everything that happened down to the last detail. By Christmas, he appears to have become bored out of his mind. He recorded only unusual events, and not even all of those. He was more concerned about the huge inflation in Vienna and the fact that his pay wasn't enough to cover food and heating. In fact, the Austrian Emperor had to give all his staff a pay rise. No wonder he was nearly bankrupt!

In the Riskies blog last week, I commented on the special napkin folding which was used at the Austrian Imperial court, but only when the Imperial family was present. Nowadays, it's is used only when the President of Austria hosts a state dinner, apparently. What's more, the secret of the elaborate folding is known only to two people at any one time. It's a state secret that goes with the job.

You may think such a thing would be easy to fathom. I did, until I looked at it. Here it is so you can decide for yourself. Are there any origami specialists out there who think they can replicate this from a single damask napkin? Looks like a very daunting piece of reverse engineering to me, but you may know better?


Joanna

Late PS: I have just discovered that I've been giving you the wrong date for UK paperback publication of His Forbidden Liaison, book 3 of the Aikenhead Honours trilogy. It's not July. It's September 2009. (The hardback will be out in July.) Many, many apologies to UK readers who have been misled and who will have to wait even longer. Grovelling apologies to all.

Thursday, January 15, 2009

Trilogy Covers at Last

I’m delighted to tell you that I now have the covers for all three of The Aikenhead Honours trilogy, to be published in March, April and May in USA/Canada and, in the UK, in June and July. I think they are just gorgeous. I hope you do, too.

His Cavalry Lady
Dominic Aikenhead, Duke of Calder, meets Alex, the Cavalry Lady — except that she appears to be a man, Captain Alexei Alexandrov! She has lost her heart to Dominic, but how can she ever show him what she feels? For years, she has served as a man, and no one has penetrated her disguise. Does she dare to risk everything by showing herself to Dominic as the passionate woman she really is? And how will he react if she does?


His Reluctant Mistress
Lord Leo Aikenhead, the second brother, is a renowned rake at whose feet many women have fallen. Not one of them has touched his heart. Then he meets the beautiful singer Sophie Pietre, who has absolutely no intention of succumbing to Leo, however much he pursues her. But in the midst of the dangers and intrigues of the Congress of Vienna, Sophie’s very life may depend on Leo’s aid. Will she be able to resist him then?


His Forbidden Liaison
Lord Jack Aikenhead, the youngest and wildest of the brothers, is an incorrigible gambler and playboy. He finally begins to discover what responsibility means when his spying expedition to France is caught up in Napoleon’s return from Elba. He knows he cannot fulfil his mission without the help of Marguerite Grolier, a spirited silk-weaver from Lyons, but she is forbidden to him. He must treat her as a sister, or forfeit his honour. Marguerite, however, is not bound in any way. And she has absolutely no intention of treating Jack like a brother!

I can't really decide if I have a favourite. What do you think? I admit there's a certain allure about those sexy silk stockings...

Joanna
www.joannamaitland.com

Saturday, October 25, 2008

A trilogy in four parts!

I have just finished writing the third story in my Regency trilogy, The Aikenhead Honours so I can now give you provisional publication dates.

In the USA and Canada, the three stories are to be published in consecutive months. Dominic’s story — His Cavalry Lady — should be published in March 2009; Leo’s story — His Reluctant Mistress — should be published in April 2009; Jack’s story, the third (but not final!) part of the trilogy — His Forbidden Liaison — should be out in May 2009.

In the UK, His Cavalry Lady was published last month (September 2009). The hardbacks of books two and three will be out in the same months as the North American editions. The paperbacks will be in the shops two months later: that’s His Reluctant Mistress in June 2009 and His Forbidden Liaison in July 2009, though they will probably be available earlier on the Mills & Boon website.

I’m afraid I have no information yet about dates in other markets such as Australia/NZ but I’ll let you know as soon as I hear anything. And I’m sorry that those UK readers who have already read Dominic’s story will have to wait so long for the next one. I admit it’s my fault; I just couldn’t write them any faster.

As I said, this is to be a trilogy in four parts! Yes, I do know that’s a contradiction in terms. It happened like this. There are actually four heroes in these books: the three Aikenhead brothers (Dominic, Leo and Jack) and Ben, Jack’s best friend. Together, the four of them make up the Aikenhead Honours spying ring. I hadn’t intended to give Ben his own story, but my editor suggested I might like to write it as a novella, for Harlequin’s new historical e-book line, Undone. So that’s what I’m planning to do. And that’s why this trilogy will, in the end, have four parts.

I hope that you enjoy them all. There is already an extract of Dominic’s book on my website. My next task is to put up extracts of Leo’s book and Jack’s. As for Ben’s story… Well, I have to write that one first! I’m hoping that the e-book will be published at the same time as Jack’s story, in May 2009, on the Harlequin website, so that you don’t have to wait to find out what happens. After all, it's potentially a matter of life and death, since he has a bullet in him...

Joanna
www.joannamaitland.com

Thursday, September 25, 2008

Women living as Men

I read in the papers last weekend that a movie is to be made about the life of James Miranda Barry, a woman who successfully masqueraded as a man in order to qualify as a medical doctor in the early part of the nineteenth century, and then served as a surgeon in the British army, eventually rising to be the head of the army medical service. Her gender was not discovered until after she had died when, it is reported, she was found to have a perfect female form, but with stretch marks that suggested she had borne a child.

(You can read the report for yourself here. http://www.guardian.co.uk/film/2008/sep/21/medicine.mcelhone. The stars are to be Natascha McElhone and James Purefoy.)

The film is not going to be as simple as a story of a brave woman triumphing over male prejudice in a career at which she excels. Apparently it will focus on her time in South Africa where she fell in love. Her lover, Lord Somerset, was initially concerned that he was falling in love with a man and would therefore be guilty of the heinous crime of homosexuality. If they were found together, the punishment could be death. When Barry let him into her secret, he decided that he could follow his heart after all. I find that illogical. (Though perhaps love is never logical?) He might know that their affair was heterosexual, but to anyone who discovered what was going on, it would still appear as a homosexual affair. If they were discovered, the only way to save their skins might have been to reveal that Barry was a woman and thus to ruin her.

The movie will, apparently, allow the male lover to make the heroic sacrifice. In order to protect Barry’s identity as a woman, he will be disgraced. She will go on to make a great career in military medicine. As a man.

I dealt with all these themes in His Cavalry Lady where my heroine, like Barry, has made a long military career serving as a man. My hero also worries about his apparent attraction to another man. Plotting the resolution of their dilemmas was quite a challenge, as you may imagine.

No doubt the film will spawn various fictionalised treatments of women successfully pretending to be men. There’s plenty of material. Barry and Nadezhda Durova, the real-life inspiration for my heroine, were not the only women who served in the military. At least I can say that I’m not climbing on to a post-movie bandwagon. My story is in the shops now. I got there first!

Joanna
http://www.joannamaitland.com

Sunday, August 10, 2008

PREVIEW OF HIS CAVALRY LADY

Boulogne, June 1814

It was the smell that woke him.

For fully three seconds, Dominic lay quite still in the Lion d’Or’s best bed, trying to make sense of the strange messages tumbling into his brain. Dark. Silence. Smoke? Fire!

He flung himself out of bed. Light! He needed light! And where the devil were his breeches?

A terrified neighing ripped through the pre-dawn silence. Then a whoosh, as if a giant were sucking in a monstrous breath. Followed by red, hellish light.

The smoke had turned to flames. The Lion d’Or’s stables must be on fire!

Dominic threw wide the half-open window, stuck his head out and yelled at the top of his voice, ‘Au feu! Au feu!’ It was surely loud enough to wake even drunken grooms.

He dragged on his breeches and crammed his feet into boots. A voice rang out below. At last! Then more voices. A woman’s despairing wail. And the ominous crackle of the fire taking hold in dry straw and ancient timbers.

Dominic took the stairs three at a time. In the yard, the silence was turning into utter chaos. Yelling, cursing men milling around in the eerie light. No one fetching water. No one saving the horses.

He grabbed the nearest groom by the shoulder. ‘Get to the pump,’ he ordered in crisp French. ‘Start filling buckets. And you—’ he seized another by his flapping shirt ‘—rouse all the men from the house. Get them into a line to pass the buckets. You two. Don’t stand there gawping. Start getting the horses out.’

In the space of half a minute, Dominic had turned the commotion into the beginnings of order. The terrified horses were being led to safety. Water was being brought. But the flames had a head start. And they were winning.

The front part of the stables and one side of the doorway were ablaze. One panicked horse was refusing to be led through. It was fighting against the halter, rearing, eyes rolling, hooves flailing. With a cry of pain, the groom dropped to the ground. The horse fled back into the stables.

Dominic lunged forward, hefted the unconscious groom over his shoulder and raced across the yard to the inn. By the door, a maidservant stood motionless, wide-eyed with fear. ‘You, girl.’ He laid the boy ungently at her feet. ‘Make yourself useful. Look to his hurts.’ He did not wait to see whether she obeyed. He had to help save the horses. Only one other man left to do that. Not enough. Not nearly enough.

The smoke was now so thick that it was difficult to see. And to breathe. Dominic looked around for something to use as a mask over his face. If only he had thrown on a shirt. But he had nothing. He would have to continue as he was. Taking a deep breath of the cooler air in the yard, he plunged into the hell of the burning stables.

Still at least half a dozen terrified horses to save. Possibly more. He could barely make out the back of the stable. It was full of smoke, though not yet ablaze. But he could hear the sounds of hooves thundering against stall boards. At least some of the horses must still be tethered. He raced to the back of the building, keeping as low as he could, to avoid the choking smoke. Let the groom deal with the horses nearer the door.

Like a ghostly apparition, a slim shape in grubby white emerged from the swirling smoke, leading a horse. No more than a boy, from the little Dominic could see, and dressed only in a bedgown and boots. But a boy who knew horses, for he had covered the animal’s eyes to quiet it. ‘Well done, lad,’ Dominic gasped as they passed. No reply. The boy had his mind on his task. Just as Dominic must.

It was taking too many precious minutes to rescue the horses. All the time, the fire was engulfing more of the building. Yet the boy in the bedgown was fearless, always going back into the most dangerous area of the stable. He had a way with the terrified beasts, too. More than once, Dominic fancied he heard the lad’s voice, murmuring strong and low, urging the animal towards the flaming doorway. He had even started to cover the horses’ nostrils against the acrid smoke. Part of Dominic’s brain registered that he would find the lad after this was all over, and reward him for his bravery. He would have been proud to have such a boy in his own service.

Out in the yard again, Dominic caught a dripping cloth tossed to him by one of the inn servants. Gratefully, he covered his head, hoping that the boy had done the same. With this, there ought to be a chance of rescuing the remaining animals. Only a few more to bring out now. He ran back into the thickening smoke.

He found himself struggling with the tether of one of the last horses. The straining beast had pulled it tight in the iron ring. Its thrashing hooves were threatening to crack Dominic’s head open. If only he had a knife. Damnation! The rope refused come free. At this rate, they would both burn!

A strong, lean hand appeared out of the smoke holding a knife. Bless the boy! A single slash cut the rope. Then the hand disappeared again. No time to say a word of thanks. The horse, suddenly freed, reared up to its full height with a loud and terrified whinny. Dominic ducked under the deadly hooves and grabbed the trailing rope, forcing the animal down. He had to get this horse out. The fire was really taking hold now. Soon the stable roof would be aflame. There would be no more rescues then.

At last, Dominic managed to coax the horse through the stable doorway. Someone had taken an axe to the blazing wood so that the gap was wider and the flames were less fierce. The broken, smouldering timbers lay on the ground. Dominic thrust the rope into a waiting hand and raced back inside, ignoring the prick of sparks on the bare skin of his back and chest. He had tiny burns all over his body now. No doubt he would look as though he had a dose of smallpox when this was over. But he had to be sure that there were no more horses hidden by the smoke.

It seemed the lad in the bedgown had had the same thought. His eerie figure was just visible through the swirling darkness, searching among the stalls. Dominic ran towards the boy. ‘Is that all of them?’ he yelled, trying to make himself heard above the noise of the fire.

Before the boy could say a word, there was an ominous crack above their heads. Dominic caught a glimpse of a huge, flaming beam dropping towards them. Towards the boy! Dominic bridged the space between them with a single stride, grabbed the boy and thrust him aside. The beam hit the stable floor just inches from where they stood, showering them both with sparks. In seconds, the boy’s bedgown had caught alight.

Dominic made to tear it off him.

‘Non!’ It was a scream of anguish.

The boy must be a idiot. Surely he knew that it was better to be naked than to burn?

‘Non!’ the boy cried again, ripping the tail of his bedgown out of Dominic’s hands.

There was no time to argue. And only one solution. Dominic pushed the boy to the ground and covered him with his own body, rolling them both in the dirt to stop the sparks from taking hold.

And then he understood.

This was no boy. The lithe body straining against his own belonged to a fearless, and extraordinary, girl!

******************************

The book will be available in the shops in the UK at the beginning of next month. I hope you all enjoy it. And if you want to read a longer extract, the rest of that opening scene is on my website here.


Joanna

Tuesday, August 05, 2008

JULY COMPETITION WINNER!

The July competition was to name the second story in my Aikenhead Honours trilogy.

The answer is: His Reluctant Mistress. The winner is Sherry Haut who will receive a signed copy of the first book of the trilogy, His Cavalry Lady. It will be in the post to you tomorrow, Sherry. Congratulations and I hope you enjoy the story.

For other readers in North America, I’m afraid the story won’t be published until the spring of next year, but UK readers can buy it at the beginning of September. In the meantime, you can read an extract on my website here. Or, if you’re really keen to get reading, the Mills & Boon website has it for sale in their shop here.


The Aikenhead Honours
Three gentlemen spies: bound by duty, undone by women!

Introducing three of England's most eligible bachelors:
Dominic, Leo and Jack, code-named Ace, King, Knave

Together they are
The Aikenhead Honours
A government-sponsored spying ring, they risk their lives, and hearts, to keep Regency England safe

Follow these three brothers on a dazzling journey through Europe and beyond as they serve their country and meet their brides, in often very surprising circumstances

'Ace', Dominic Aikenhead, Duke of Calder in
His Cavalry Lady (Sept 2008)
'King', and renowned rake, Lord Leo Aikenhead in
His Reluctant Mistress (2009)
'Knave', and incorrigible playboy, Lord Jack Aikenhead in
His Forbidden Liaison (2009)


Best wishes and happy reading
Joanna

Thursday, July 10, 2008

TIMING IS ALL?

Last weekend, as many of you will know, was the RNA annual conference. This year, it was at Chichester, in the south of England, near Brighton. Of course, as a Regency novelist, I should have been off to the Brighton Pavilion, but in fact there were much better things to do, and I didn’t leave the campus. We had a wonderful, and thoroughly inspiring weekend, as ever. There was time to catch up with old friends over the odd drink in the bar, there were amazing talks and workshops to start the creative juices flowing (as Fenella has already mentioned), and there were books everywhere. What more could a writer want?

In my case, what I wanted were copies of my own new book, His Cavalry Lady, the first of The Aikenhead Honours Trilogy. Sadly, I didn’t have them. They’re not published until September, so it was asking a lot to have my own copies at the beginning of July. All I was able to do was to display a copy of the hardcover version, so that delegates could see what the cover would look like when it was available in the shops.

I came home from the conference on Monday, driving part of the way through blinding rain, and sat down with a cup of tea. I’m afraid I then fell asleep. Obviously, I must have been working exceptionally hard all weekend or that would never have happened, would it?

And on Tuesday morning, the postman rang the bell to deliver — yes, you’ve guessed it — a box of copies of His Cavalry Lady. I’m running a competition on our newsletter for a signed copy of it and I can now promise that the winner will receive her prize as soon as the draw is made at the end of the month.

Meanwhile, if you’d like to read an extract of His Cavalry Lady, you can find it on my website here.


Joanna

http://www.joannamaitland.com/