Over ten years ago I visited the battlefield at Waterloo and
since then I have wanted to write a story based around the events at Waterloo
in 1815.
One of the places I visited was Hougoumont, a chateau/farmstead that
was key to the defence of the Allied position and where thousands of soldiers
from both sides died. It was in a parlous state then, and Project Hougoumont
was set up to try and restore the site in time for the 200th anniversary
of the battle in 2015.
To support the
project the Waterloo Collection was devised, a series of paintings depicting key scenes from the
battle of Waterloo. The paintings were
commissioned in pairs to show the scene from both sides and prints were published
by Steve Stanton and sold to raise funds for Hougoumont. Steve kindly gave me permission to show two of
the prints here – the two that provided the inspiration for my forthcoming
book, A Lady for Lord Randall.
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Mercer's Battery withstanding a charge from Napoleon's Grenadier a Cheval of the Guard. Waterloo 1815 |
Mercer's troop was stationed in the thick of the action and fought off repeated charges by the French Cavalry. It was the norm for the artillerymen to shelter inside the nearby infantry squares when a cavalry charge took place, but Mercer realised that the squares were manned by inexperienced soldiers and he feared they would break up if they saw the artillery men running for cover, so he disobeyed orders and kept his men in place while the cavalry charged them. Despite his foreign-sounding title Mercer was actually born in Yorkshire, survived to serve many years and died in Devon in 1868.
The images are quite dark, but remember the battlefield was
covered with a pall of smoke from the constant firing. If you look closely at the painting on the
left you can see an artilleryman lying wounded on the ground. When I first saw these pictures I wanted to
include this scene in my book and I imagined that this man could be my own
hero, Lord Randall, blown off his feet.

is the first and will be published next month.

Then Annie Burrows' A MISTRESS FOR MAJOR BARTLETT follows
in June

and Louise Allen's A ROSE FOR MAJOR FLINT completes the trilogy in July.
And finally back to Hougoumont. I am delighted to say the
chateau has now been restored and I was thrilled when I discovered that our
lovely cover designers have used it for the backdrop. A Lady for Lord
Randall (much of which takes place before the battle) shows Hougoumont intact, A
Mistress for Major Bartlett shows it in flames and A Rose for Major Flint shows
the chateau as a ruin. A very poignant touch, I think.
Annie, Louise and I had great fun writing these three
stories and we hope you enjoy reading them. My thanks to Steve Stanton for allowing
me to show you these prints and you can find more information about Project
Hougoumont and the Waterloo Collection on Facebook or at the website addresses
below:-
http://www.projecthougoumont.com
http://www.waterloo-collection.com
Sarah Mallory/Melinda Hammond