Today, Elizabeth Bailey shares her reasons for loving reading and writing Regency romance.
Huge picture hats and charming straw bonnets; lashings of lace and tulle; yards of gathered floating muslin and bosoms upthrust by tightly boned stays. Powerful thighs encased in close-fitting breeches; elegant colourful tailcoats with flowing hair brushing the collar; white starched cravats and tasselled polished boots. Horses and carriages, vast estates and mansions filled with treasure. It’s a world of privilege and slowed down time, far from the rush and bustle of the twenty-first century.
Huge picture hats and charming straw bonnets; lashings of lace and tulle; yards of gathered floating muslin and bosoms upthrust by tightly boned stays. Powerful thighs encased in close-fitting breeches; elegant colourful tailcoats with flowing hair brushing the collar; white starched cravats and tasselled polished boots. Horses and carriages, vast estates and mansions filled with treasure. It’s a world of privilege and slowed down time, far from the rush and bustle of the twenty-first century.
Although
the fictional Regency and Georgian worlds are necessarily a romanticised version, they
hark back to an era of endless fascination. We know that the sharp
class divisions and the inequities in life were unfair, that those who
worked had to toil for hours to produce articles that would now be cut
out in minutes by machine. We know life was harsh, that odours we would
consider offensive were legion, that disease was rife and often
incurable. But somehow the harshness adds to the piquancy of the
period, pointing up the glamour enjoyed by the rich.
For
the novelist, it’s an era riddled with possibilities. Where your
modern author struggles to find legitimate obstacles to put in the way
of achieving goals, the historical writer has them readily to hand.
Communication can take days instead of being instantaneous; rules forbid
women access to male dominated areas; travel is long and arduous;
clothing is restrictive; food and drink can be inaccessible; and it is
all too easy to become lost in a maze of dangerous alleyways or vast
acres of uninhabited countryside.
But restrictive clothing adds spice to the hero's hunting instincts. Long coach journeys provide opportunities both for scintillating dialogue and hands-on getting to know you. Heroines found in the wrong place provoke heroes to gallant deeds of rescue. And getting lost together is almost certain to end in dalliance. As for food and drink, remember that outrageously sexy meal in the film Tom Jones?
The period element offers an endless variety of situations to tickle an author's imagination. That's why I love working in this Regency and Georgian world.
My own fictional world may be similar to that of other historical authors, but
each is unique, reflecting the writer’s personal enjoyment of that past time. What I love most about writing in this period is that I can
invite readers into my particular world, which is close to the real one
but belongs exclusively to me.
Journey into my world with Friday Dreaming:
Bookish Friday Edborough’s
secret dream looks set to come true when childhood friend, the gorgeous Nicolas
Weare, proposes—if only he was behaving like a man in love. All too soon,
Friday’s worst fears are confirmed when she finds Nick has been forced into the
betrothal to stop him marrying the beautiful but ineligible Hermione.
Caught between love and
loyalty, Friday ends the engagement, leaving Nick to realise the value of what
he’s lost just as he discovers Hermione’s true worth. But with the lines
joining love and hate beginning to blur, has Nick’s change of heart come too
late?
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