Showing posts with label Gardens. Show all posts
Showing posts with label Gardens. Show all posts

Thursday, July 09, 2015

"In an English Country Garden..."



thyme

It is usual when talking of Regency gardens to look at the gardens of the rich and powerful; the acres landscaped by Capability Brown, or the huge, formal parterres of the big houses. But most people did not live in big houses with extensive gardens. Many lived in near-poverty, and if they had any land at all they might use it to keep a pig, or grow vegetables – something useful. 





I was thinking of this while I was weeding my garden last weekend (NOT my favourite pastime) and I thought that if I lived in a cottage in the Regency with little money to spare but a few yards of earth front or back that I could cultivate, I might well grow herbs – they are so useful in cooking around the house and for medicinal purposes, too. (Just a word of warning, please do not to try using any of these herbs for medicinal purposes without doing your own research first and taking expert advice!)
 
comfrey
I am not really a gardener, my efforts with seedlings are rarely successful, and my borders could never be said to provide a riot of colour – a minor disturbance, perhaps, and certainly not weed-free – but I do grow herbs in my garden.  We are fortunate enough to have areas that need very little attention, and in one of these, beside a stream, I have comfrey, or knit bone as it used to be called. I have never tried it, but apparently it can be made into a poultice and placed on sprains and fractures.  I have mentioned it in a couple of my books; in The Dangerous Lord Darrington, Beth says she has to gather comfrey leaves when she needs an excuse to get out of the house, and in Wicked Captain Wayward Wife, Eve uses an ointment she has made from comfrey to treat Nick's wound.

lady's mantle
Comfrey grows wild, so it causes me no problems when it comes to gardening. Another herb that is very easy to grow – and can be a nuisance as it is so rampant – is Lady's Mantle. It's Latin name of Alchemilla means "the magic herb". Originally it was used as a wound herb, but it is most generally connected with female ailments.  I have made tea from the leaves (and drunk it), but I wouldn't like to say whether it was beneficial – if I am honest, I prefer a nice cup of Earl Grey.






 Then of course there are the familiar herbs like sage, rosemary and thyme - and if I had any parsley then I would be quoting here from the folk song Scarborough Fair, but I planted the parsley in the garden last year and lost it in the winter. 
sage, with a sprig of rosemary peeping up behind!
The other three are planted in tubs, so if the weather is particularly bad I can carry the pots indoors to protect them from the artic weather. Folklore says these herbs can be used for medicinal purposes, too. Thyme makes a aromatic bath or a tea to help one sleep. Thyme is also used as a disinfectant, or for gargling. 

Sage, too, can be used as a gargle for sore throats (my daughter's singing teacher recommended it, but only to be used occasionally). Rosemary was used for washing the skin an infusion is meant to be a good as a rinse for dark hair. The oil is good for bruises and gout.



bay
Another useful herb is bay. Originally from the Mediterranean,  our ancestors in the south of England might well have managed to grow it (I have a writer friend in London who has a flourishing bay tree in her garden)  but they do not like really cold winters so I also grow it in a pot – not shaped and elegant, as you can see, but it looks healthy.  This way I don't need to dry the leaves, but just pick one when I need it.












lovage

Another herb that I use in cooking but it not very well known is lovage. Originally it came to England with the Benedictine monks and does not grow wild here, but it seems to like my garden and perhaps that is because we have a lot of rain here. It has big, aromatic leaves and a lovely strong smell and flavour that reminds me of yeast extract. It dries well and can be used in soups, stews and casseroles and also fresh in salads and marinade.












There are so many other plants that could be included – marigolds, (not only do the petals look pretty in salads but an infusion is said to be good for soaking tired feet),  Elderflowers ( an excellent drink and also makes a good skin lotion), marjoram (in cooking and can be used as snuff).

The list goes on – the study of herbs and plants is fascinating, but some of these plants can be dangerous, so please,  just a reminder that if you want to use any of the plants I mention, do make sure that it is safe to do so. Our ancestors might have had to rely on herbal remedies, but sometimes they got it wrong!  I am very happy to read about useful plants and to put them in my book, I even use many of the herbs in my cooking, but if I have an ailment, I am much more likely to go to the chemist or the doctor than the garden.

foxglove - digitalis



And finally, one beautiful plant that has made an appearance in my garden this summer and I couldn't resist adding a picture. But this one is definitely to be approached with care and NOT used in food. It is the foxglove.  These elegant plants are growing in abundance on the banks and roadsides this year, and I am very happy to give them houseroom, but I will only be looking at them!



Melinda Hammond/Sarah Mallory

Sunday, April 05, 2015

The Lure of Gardens

Recently, I was thrilled to be invited to the Bloggers’ Breakfast at the Queen’s Gallery for the opening of their new exhibition, Painting Paradise: The Art of the Garden, which looks at four centuries of royal gardens through paintings and objects in the Royal Collection.
 
1.     The welcome tea urn
We were invited for 8.30 am – only one and a half hours before the public opening – and offered tea, coffee, fruit juice and a choice of the most delicious croissants. As we arrived, the finishing touches were being done to the trellis and flowers on either side of the entrance; we learned that everyone had worked late into the night to get the exhibition ready. They were obviously successful – it was immaculate.
 
2.     Finishing touches
The curators then showed us round, told us what they wanted to get across in the exhibition, how they had set about it, talked us through the highlights and gave us the behind-the-scenes stories. It’s a fabulous exhibition and I thoroughly recommend it, but, for this post, I’m concentrating on those objects which I thought might interest writers of Georgian and Regency romances, like Queen Mary II’s delightful blue and white tulip vases designed to display rare (and expensive) tulips.
I decided that the tulip vases had definite dramatic possibilities. The hero’s formidable grandmother, the Dowager Duchess, owns a pair of tulip vases which are her pride and joy. The heroine, Araminta, a sweet-natured girl but badly bullied by her shrewish elder sister, becomes disastrously clumsy whenever she’s nervous …  I’m sure you see what I mean.
 
3.     Tulip vase (1702)
By the mid-18th century, the formality of Tudor and Stuart gardens was being superseded by a more natural look, with landscaping by garden designers such as ‘Capability’ Brown and his successor, Humphry Repton. In Jane Austen’s Mansfield Park (1814), Mr Rushworth declares himself eager to ‘improve’ his family home, Southerton Court. ‘Your best friend upon such an occasion,’ said Miss Bertram, calmly, ‘would be Mr Repton, I imagine.’ And Mr Rushworth lets drop that Repton charges ‘five guineas a day’ (£5.25), a stupendous amount of money, considering that a farm worker at Southerton would be lucky to earn ten shillings (50p) a week.
 
4.     The Gardens at Kew by Johan Jacob Schalch, 1759
Repton would turn the formality of Southerton’s avenue of trees and the wood (which is famously locked) into the epitome of classical elegance with specially-created lakes, accessible stands of noble trees, ornamental bridges, ‘classical’ temples and Greek statues, so that Mr Rushworth’s guests could wander at will. Plenty of scope for romance and intrigue there.
The Painting Paradise exhibition has a number of delightful watercolours from the 18th century, with gardeners going about their everyday work, such as the gardener’s boy with his watering can at Windsor Castle by one of my favourite artists, Paul Sandby. The boy, indeed, is almost part of the natural look himself.
 
5.     Norman Gateway and Moat Garden, Windsor Castle, watercolour by Paul Sandby, 1770
The exhibition also celebrates the arrival of thousands of new plants, starting as a trickle in the 16th century and becoming a flood by the 19th century. Plant designs now appear everywhere: on china, like the Chelsea porcelain below above; in the Fabergé jewel flowers which have a case of their own; as well as in the botanical prints on display.
 
6.     Chelsea porcelain, 1755
Moving slightly out of period, I’m including a few of the Victorian pieces of jewellery in the exhibition, also inspired by flowers. The fuchsia earrings and pendant (below) were made for Queen Victoria. The outer petals curling up are gold-mounted enamel; the central petals, however, are Princess Beatrice’s milk teeth!
 
7.     Fuchsia earrings and pendant, Garrard, 1864.
I loved Queen Victoria’s orange flowers headdress. The Queen wore a real orange flower wreath, symbolising chastity, for her wedding in 1840; and, in 1846, Prince Albert gave her the headdress, which is made of porcelain, gold, enamel and velvet, with silk ribbons, and completed the set over the following few years.
 
8.     Parure, Garrard, 1846
And lastly, the beautifully-decorated flower fan, made for Queen Victoria’s birthday, which was a gift from her eldest daughter, Victoria, the Princess Royal. The flowers, painted by the princess herself when she was only fifteen, were specially chosen to spell out VICTORIA: violets, iris, cornflower, convolvulus and corn ears, tulip and thistle, orange blossom, roses, ivy and auricula. She was obviously very talented.
 
9.     Fan, 1856. Leather leaves with mother of pearl and ivory.
 I have only been able to cover a fraction of the wonderful things in this interesting and inspiring exhibition. There is surely something for everyone here. In fact, I lingered after the general public had come in to make sure I’d chosen the right items for this post. Painting Paradise is on at The Queen’s Gallery, Buckingham Palace, until 11th October. www.royalcollection.org.uk
Photos:
1, 2, 3 and 6 by Elizabeth Hawksley
4, 5, 7, 8, and 9, Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015
Elizabeth Hawksley