Showing posts with label historic house. Show all posts
Showing posts with label historic house. Show all posts

Thursday, April 20, 2017

The Silent Companion!

Nicola here. If, like me, you don't like waxworks or dummies, one of the scariest things that can happen when you visit a historic house is unexpectedly coming across what is known as a "chimney board." I'm not of a particularly nervous disposition but if I wander through the deserted rooms of a stately home and catch a glimpse of a still figure staring at me I do find it slightly creepy!

The dummy board or chimney board is a life-size, flat wooden figure painted and shaped in outline to resemble a real person. They come in all shapes and sizes - solders, servants, children, even animals. These first silent companions as they were also known, were produced in the 17th century and were intended to be decorative jokes. There are stories from the period of telling of how, for example, one gentleman placed a wooden maidservant at the door of his salon and everyone found it highly amusing when one of the guests tried to tip her. No doubt such impostures were easier in the days of poor lighting! In 1777 Miss Sally Wister of Philadelphia wrote in her diary that the cut out wooden figure of a British
grenadier, six foot tall and looking very fierce, startled a nervous visitor to the house who ran away thinking that the British had arrived. Wooden grenadiers were also on guard at the Tower of London as early as 1700 and it was a feature of tobacconists shops in the years of the Jacobite rebellions to have cut out figures of Highlanders! A newspaper of 1745 commented: "We hear that the dapper wooden Highlanders who guard so heroically the doors of snuff-shops intend  to petition the legislature that they may be excused from complying with the Act of Parliament with regard to their change of dress," this being the time that the wearing of the kilt was forbidden. In 19th century North America carved figures of Red Indians were adopted by tobacco stores in a similar manner.

A secondary use for such wooden cut outs was to act as a firescreen. Although some were used to shield people from the heat, this did cause the paint and varnish to warp, and where they were made of paper stuck onto the wood there was a double danger that they might catch fire. The figures were better used to mask an open fireplace during the summer months.

There was a huge variety of different types of figures. Servants, particularly maids with brooms, were very popular. A maid peeling apples sits in the hall of one National Trust house whilst male servants are depicted ushering visitors into rooms. Pairs of children with pets and toys were also popular. Figures of soldiers were used to guard doorways in private houses, inns and military establishments. As late as the 1870s soldier figures were popular decorations at provincial tea gardens!

Some animal figures from the past few centuries also survive, including cats, particularly tabbies, dogs, pigs, parrots and rabbits. Whilst many of these boards were created by sign-makers, some were designed by established artists.

There was a rumour that Van Dyck had painted a board that resembled a maidservant at Lullingstone
Castle when she tended him through illness there. Gainsborough created a wonderful half-size figure which he set up on his garden wall to the surprise of passers by. It was known as Thomas Peartree!

Have you seen any "silent companions"? Do you find them fun, attractive or creepy?! Would you have one in your own home?

Thursday, August 27, 2015

Kentwell Hall - a quintessentially English historical house.

I visited Kentwell Hall recently and it was more than forty years since I'd been – but the place hasn't changed at all. It isn't slick and touristy like some stately homes, but accessible and intimate. We were able to wander about peeping into cupboards and touching things in a way that couldn't possibly happen anywhere else. In the moat house you could go upstairs into an Elizabethan bedroom – everything was there, down to the combs and other items one might find on the dressing table. There was also the brewery in which there were ancient barrels and kegs.


However, the kitchen and dining rooms were the most exciting. The kitchen had a fireplace you could roast a whole ox in and everywhere were pots and pans, kitchen implements and other things of interest. What was fascinating was that at one end there was a stone bench under which were two arches in which fires could be lit. On the top were iron grills – just like a modern cooker. I'm not sure what era these were as the house is obviously been in continuous use since it was built in the sixteenth century. They hold events here and they had cupboards full of pewter plates and goblets.


The bedrooms are furnished in various styles and there was a Georgian one complete with harpsichord as well as an Edwardian one in the Oriental style.The gardens are still laid out as they were when the house was built although there is now a storybook trail for the children which was great fun. The big carp pool is still there and when we stood at one end a row of mini tidal waves approached as the fish were expecting to be fed.





We also went into the ice house – I've never actually been inside one before and it was an experience I'm not eager to repeat. Astonishing to think that ice could be stored in there throughout the summer so frozen desserts could be served at banquets.

I would highly recommend that you go and visit Kentwell Hall if you're ever in the vicinity of Long Melford.
Fenella J Miller



Fenella's latest release is not one of her usual Regencies, but a second world war saga. The box-set trilogy is available from Amazon UK and Amazon US